Cinephilia
Thursday, October 27, 2016
7:30 pm at
Beautiful Briny Sea (in the Grant Park neighborhood, near
Ria's Bluebird)
408 Woodward Ave SE, Atlanta, GA 30312
$8
This event features films made by James Krell in the 1970s and by Gary Goldberg
(along with Taylor Mead and Bill Rice) in the 1990s. More on these films below.
But first, a curator’s confession: as of the time of writing, I haven't
been able to view these films. So, why show them? And why these particular
films? What they have in common is that descriptions of them – scant but
tantalizing, a passage in a book, a conversational aside – have captivated my
imagination for years. And I know these films have been the subject of curiosity
for others as well. Something about them commands attention. Yet they have never
been widely screened, they don't exist online, on video, or in any of the other
usual ways we access movies. Basically, it’s impossible to view these films
without renting the 16mm prints. So that’s what I’ve done – sight unseen. The
idea is that we will discover these films together. This means that the
circumstances of our viewing are a part of the event, along with the films. The
curatorial process is open and public. The event is a film screening, but also a
salon, a gathering, a lab for cinephilia.
The films:
In
his book The Expanded Eye, Wheeler Winston Dixon wrote that James
Krell's 1970s films "form a body of work that is so subterranean that only the
most dedicated observers of the New American Cinema are aware of its existence,
but this does not detract from the distinct and utterly original beauty of the
films in question...In all cases, the films are engaging to the viewer’s mind
and eye because of the undeniable intelligence and intuitive sensibility
apparent in every aspect of their construction…Working within the highly
idiosyncratic world of experimental film, Krell has made films that are entirely
his own, works which are utterly without formal or thematic precedent in the
cinema." Dixon describes some of Krell's strategies: filming with a 16mm camera
as he threw lighted flares through a tunnel, superimposing images, creating
soundtracks on homemade synthesizers – a virtual catalog of imaginative
experimental techniques.
Dixon's comments, while impressive, are the
only description of Krell's films which I have ever found. The artist’s own
comments in the Film-Makers’ Cooperative rental catalog are minimal. Titles such
as Wolverine Kills T.V. and 30 Days: Speed or Gravity are
intriguing but provide little clue as to content. So, I have chosen a handful of
these short films based upon intuition, second-guessing, running time, and
availability (some of Krell’s films have been pulled from circulation).
In the early 1990s, the East Village artist Gary Goldberg made a series of comic
short films featuring performances by two beloved stalwarts of the NYC
underground - the painter Bill Rice and the legendary underground actor Taylor
Mead. The chemistry between Rice and Mead in these films was impressive enough
for Jim Jarmusch to reconstitute the duo a decade later for the concluding
segment of his 2003 film Coffee and Cigarettes. (Goldberg, Rice and
Mead have now all died.) Jarmusch's film gave Rice and Mead a late-life cult
audience, but their original films with Goldberg remain largely unseen, despite
their reputation. Like James Krell's films, these are not online in any form,
and only brief descriptions (perhaps accurate, perhaps not) exist. They are
available as 16mm prints in the collection of Canyon Cinema in San Francisco. I
believe these films are comedies, black and white, with minimal dialogue, and
imagine they are like no other comedies I’ve seen. But I could be wrong. I do
know that Taylor Mead, a charismatic and subversively queer performer, is always
worth watching; and Bill Rice is a very interesting character as well.
So we will watch these films together, discovering what it is about them that
might attract us. Through projection’s alchemy, we will convert anticipation,
imagination and verbal description into the ephemeral reality of a flickering
image on a screen.
Beautiful Briny Sea
408 Woodward
Ave SE, Atlanta, GA 30312
www.beautifulbrinysea.com
Cinephilia is a Film Love event. The Film Love series provides access to great but rarely seen films, especially important works unavailable on consumer video. Programs are curated and introduced by Andy Ditzler, and feature lively discussion. Through public screenings and events, Film Love preserves the communal viewing experience, provides space for the discussion of film as art, and explores alternative forms of moving image projection and viewing.